Still catching up. November and December will be together. Still have games and anime to catch up on, aside from anime films, which are here. Quite a few films, more than I thought I watched, and I didn’t care too much for most, but I did for a few, so let’s go through it.
When Marnie Was There + Rewatch – Yes, I actually watched it twice during this time period, once in May, and again in November. This is my 2nd favourite Studio Ghibli film from the last two decades (accounting for the fact I haven’t watched a couple of the Takahata films), with the favourite one being Princess Mononoke. This is a perfect capstone for Studio Ghibli, or at least to the Miyazaki style of movie-making. It’s small and heart-felt and magical. I wrote a bigger editorial about it that is heavily spoilerific, but I strongly recommend this film to anyone and everyone, of every age. I do recommend the sub strongly here – the dub acting is fine, but it completely changes the nature of the thing. 9/10.
When Marnie Was There (in Japanese, “Omoide no Marnie”, or “Memories of Marnie”) has the distinction of not only being Studio Ghibli’s latest film, but as current plans stand, of also being their last theatrical film. I’ve watched most of Studio Ghibli’s films, and bidding them farewell is not an easy thing, but should we bid them goodbye, or are they still there for us? I feel that this film deals with that very question.
Before I begin my thematic discussion and analysis of the film, because this write-up will contain numerous spoilers, I’ll cut to the chase and say that this film is my 2nd favourite Studio Ghibli film from the last two decades, and I highly recommend it to anyone and everyone. The film is directed by Yonebayashi Hiromasa who directed The Secret World of Arrietty and is based on a novel by the same name by Joan G. Robinson, first published in 1967, which is set in England.
While it might not seem so at first glance, I hold that When Marnie Was There is a film about growing up. Growing up is also growing past, and beyond this film being about Anna’s journey of growing past her own pains, it is also a film about us growing to leave Studio Ghibli, or at least Studio Ghibli as it is in Miyazaki’s films (as Takahata’s are different in style), behind. And in order to do so, the film that seems much less about the “magical journey”, is anything but.
(This is a Things I Like post, it’s not a review, but more a discussion of the show and of ideas that rose in my mind as a result of watching the show. There will be massive spoilers for the film.)