Boku Dake ga Inai Machi / ERASED Episode 10 – No Climax

(The order of the two main topics in this post have been switched around, so the big spoiler will be after the “Read more” tag, rather than before.)

Theme-wise, this episode really started by hitting things right at the point I’ve been discussing all along, of the twin themes of superheroes and naivete (or childishness), with Aya telling them that they are playing at being superheroes. And this episode was exactly proof of what happens when you play at it – there are repercussions. The theme of “The superhero’s sacrifice” also came here, through Yashiro’s mouth, as he’s telling Satoru he won, but is also presenting him with the bill of saving everyone else – his own life.

Boku dake ga Inai Machi / ERASED anime Episode 10 - Nakanishi Aya on boys playing at being superheroes

Direct and concise.

And this is a common theme, to save everyone, you must give up your own life. I mentioned it in last week’s write-up, how impossible it is to actually save everyone, to make sure absolutely no one is ever alone. Even trying will quite literally cost you your whole life, every single moment of it. And we can all think of stories, time-travel or otherwise, anime or otherwise, where the cost for saving one person is one’s life, or at least one’s happiness. Plenty of superhero stories are like this as well, with them ending up clutching the corpse of their loved ones, as they went to save the world. So, Satoru’s getting a crash course.

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Fate/Zero – Flawed Characters, Urobuchi’s Style, and Series Composition

Fate Zero anime 2nd season posterWhen Kyoukai no Kanata (Beyond the Boundary) ended in late 2013, I wasn’t terribly pleased with it. Beyond anything else, I thought that it could’ve easily been better, if not in terms of poor directing in its last two episodes, and its mismatched tones, and other issues, then at least in terms of emotional investment in a certain event, and thus in one of the two main characters of the story. It felt frustrating, that a show missed its mark with what could’ve been an easy change. And that in turn led me to solidify my thoughts on why I wasn’t as invested in Fate/Zero which I watched a couple of years prior – I felt that the show, which wasn’t bad, could’ve been so much better.

This post is going to cover an assortment of topics, as they all tie into one another. It will mostly revolve around and use Fate/Zero, both as the object discussed, and as an example for these other topics: Series composition, the act of deciding which part of the story will go where in the story, and how much space it’ll receive. Story structure with regards to revelation, character involvement and emotional attachment, and Urobuchi Gen’s specific quirk in this regard, and some thoughts on how it might tie to Visual Novel writing, as well as thrillers and tragedies. Hopefully these topics, and how they’re interwoven, will all be interesting.

(This is a Things I Like post, it’s not a review, but more a discussion of the show and of ideas that rose in my mind as a result of watching the show. There will be spoilers for Fate/Zero, and as Fate/Zero spoils Fate/Stay Night, that will be spoiled as well. There’ll be meta-structural spoilers (I’ll discuss the form of the storytelling) for Gargantia in the Verdurous Planet, Madoka Magica, Kyoukai no Kanata (Beyond the Boundary), and Psycho-Pass’s first season.)

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Zankyou no Terror Episode 2 Notes – Lose Attachments; Obtain Riddles

(Note: Episodic notes are still mostly to be found on the Episodics Notes’ page, but up to a couple every week will have their write-up appear on the main page, when I think they warrant it. For those who don’t know, I take the notes as I watch the episode, and merely re-order them afterwards.)

Last week’s episode was quite interesting. It was a very tight premier, with amazing visual direction and “camera” control, a very good OST, and the making of a very solid thriller.

“Facility kids”, saving someone from bullying, and the game of cat and mice beginning. Let’s see where we’re headed. Full write-up imminent.

Screenshot album, 63 images.

Thoughts and Notes:

1) Freedom is the Freedom from Connections (Attachments part 1):

Zankyou no Terror / Terror of Resonance anime episode 2 - Mishima Lisa and her mother

1) “You can die where you are, or become an accomplice.” and then of course “There is no turning back.” She’s been given a choice, purportedly. But whichever way she went, her old life would be gone in a puff of smoke. Then again, it’s not like she enjoyed her old life.

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