This will be a short post on Computer/console-Role-Playing Games (RPGs), which are why I’m so scarce this week; as opposed to last week, when it was due to me attending a convention.
Rush and Irina Sykes. Protagonist and sister.
The Last Remnant, Square Enix‘s less than stellar last game, is the one I’m currently spending too much time on, which is exactly the point: These games work their magic on me in such a manner that even when they are less than stellar, my days are lost to them.
This is the first of a series of manga reviews by yours truly. I’ll be concentrating on off-the-wall stuff that I happen to like, and largely avoiding the really popular stuff that other people have already covered extensively elsewhere. I mostly buy my manga in the original Japanese (at the local Kinokuniya), and many of the titles I’ll be reviewing–including this first one–aren’t yet available in English.
Yandere Kanojo is a gag manga with a very direct, straightforward style. It stars Reina Ryuuzaki and Manabu Tanaka. Reina is the leader of the female delinquents in her school, and Tanaka is a diligent but otherwise unremarkable student. “Yandere” normally refers to a girl who’s sick and twisted (from yanderu/病んでる) but has a flustered, lovestruck, sweet side (deredere/デレデレ). It’s a scarier variant of the tsundere thing that’s become so trendy. Yandere Kanojo doesn’t have a yandere character; instead, the “yan” in the title comes from Yankii (a female delinquent). Reina is this peculiar kind of “yandere,” a mean girl who can kick the crap out of anyone who crosses her path, but can be embarrassed and downright sweet when it comes to Tanaka. Continue reading →