Yuri Kuma Arashi Episode 2 – All About Jealousy

Oh damn, I got the hour wrong. I thought this was going to be airing in 45 minutes, rather than 75 minutes ago.

Well, time to get started. Last episode was very Ikuhara. I think the main theme, and what “The Silent Storm” is about is gossip, giving those who stand out the bad eye. Sumika is probably gone, and it’s just Kureha and the girl-eating, girl-loving bears. Let’s see how it goes. And no, taking notes for this show isn’t wise, but I’m going to do it anyway.

Thoughts and Notes:

Screenshot album.

1) Just Bear Things:

Yuri Kuma Arashi anime episode 2 / Lily Bear Storm anime episode 2 - Izumino Sumika's picture in the drawer-morgue

1) “Bears eat people, it’s what we do!” – Again, preordained destinies, of obeying our inner natures.

2) It makes sense, you come to a “Keep Out!” sign, you don’t pay attention, and you learn things you weren’t meant to, shocking bear things. Beary shocking things.

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Yuri Kuma Arashi Episode 1 – Setting the Scene, Eating it Up

(Note: Episodic notes are still mostly to be found on the Episodics Notes’ page, but up to a couple every week will have their write-up appear on the main page, when I think they warrant it. For those who don’t know, I take the notes as I watch the episode, and merely re-order them afterwards.)

So, the new Ikuhara show, eh? Should be full of symbolism, and a story where one can’t tell where the symbolic ends and the real world going ons begin. I thought of Mawaru Penguindrum a while back, and thought how my brain would’ve fried had I tried taking notes for it.

Well, I’m not sure if the notes will be “per scene” or “per moment of interest” here, but there will be notes. Now just to hope my brain won’t melt, as I need it.

Thoughts and Notes:

Screenshot album part 1, screenshot album part 2.

1) “Yuri! Yuri Bears Everywhere!”:

Yuri Kuma Arashi anime episode 1 / Lily Bear Storm anime episode 1 - Tsubaki Kureha and Izuimino Sumika clutch and hear of the bears

1) “I’ll never back down on love.” And here we already have our narrative conflict. “How far will you go for love? How far before you’ll break down, how much of a price are you willing to pay?”

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