I’ve watched Kick-Ass in the cinema right after it was released, and I was thoroughly entertained. I nearly titled this post “Nicholas Cage: B (Movie) and Proud of It” because the last movie of Cage’s that I enjoyed was also a self-aware B-movie, Ghost Rider.
Now, there’s a funny thing about descriptors, that is touched in Philosophy of Language; the part where the reason they had received the name no longer applies. For instance, you might have got the term of distance “foot” from a real person’s foot, but if after the measuring was done (12 inches, or 31 centimeters) the measurements had changed, you didn’t then change the “size” it refers to.
Likewise, Kick-Ass enjoys the highest production qualities, and good acting and directing. Yet it’s a B-movie, partly because it makes a conscious choice to be one. Well, I’m unsure that today any movie is a B-movie that is not aware of its status, and it’s always better to embrace it for its full potential than to succumb to it unintentionally.