It’s hard to remember that it’s been this year, as it was a Fall 2013 carry-over, and it ended without a big bang, but Kill la Kill aired this year, and it actually had a couple of episodes that spoke to a very specific part of me, a part that might not be seen all too often, but my episodic write-ups are the best place to see it. That part is the part that likes semi-obscure symbolism, reads occult and religious literature, and cares more than a wee bit for exciting infodumps, and then dislikes how shows use them.
I often call this sort of thing “The Neon Genesis Evangelion Effect”, though it’s older, you can see it in most 2-course or longer series, such as in Code Geass, Eureka 7, Wolf’s Rain, and even in Visions of Escaflowne, where there’s a mystery, there’s a “real truth going on behind the scenes”, and often it’s semi-mystical in nature. Almost makes one think of Planet of the Apes. Well, Kill la Kill certainly had it, and though I’m not entirely fond of this phenomenon itself, I’m always intrigued in how it manifests.
Few Kill la Kill Spoilers beyond this point.