King of Thorn (Ibara no Oh in Japanese) is a well-produced movie. It in many respects didn’t remind me of anime (series), but of western films. The plot in particular, which is a death-game meeting a mindscape film.
At a pretty early stage, I saw resemblance to the 2009 film Pandorum, and also to 1997’s Cube. Later on they actually reveal some of those similarities, at least to Cube aren’t superficial, when Alice speaks of how the whole way the event had been orchestrated was so specific people would survive, so Kasumi could make it out – the dangerous criminal, the leader-cop, the nurse who takes care of the helpless oracle (the child), and of course, cannon fodder, along with someone who possesses internal knowledge to get them started on their journey.
(This is a “Things I Like” post. It’s slightly more “reviewy” than usual, touching on the themes and production, rather than exploring them in-depth. The 2nd half of this piece tries to explain the ending, the “mystery”, and also elaborate on character-motivations. Full-film spoilers ahead.)
April was my Spring Break month, I had a lot of plans, and ended up doing nothing… oh well. Happens. Too much vacation, I guess.
I use this post to go over all the media consumed/experienced over the past month, with 2-4 sentences per item. A way to give short thoughts on each topic.
Only anime-films this time around. I hope I’ll catch Captain America: Winter Soldier, before it leaves the cinema theatres.
Richard the Third – Theatre – I used to go to a lot more plays in the past. This is actually my first time hearing the tale of Richard the 3rd, in any media. It’s interesting, how most collections of Shakespeare leave out the bloody and political tragedies (Richard the 2nd, Richard the 3rd, Titus). The writing was solid, they added a certain modern decadent atmosphere that reminded me of the Titus version Anthony Hopkins starred in. The actor of Richard the 3rd was very good, but most of the other actors weren’t overly impressive. Seems they went for melodrama, on purpose. Of the three female actresses, the Queen Mother was good, but the other two were either wooden and stuck too close to their lines, or just felt out of place altogether.