Everyone is only able to say what they really feel on the verge of death, and if they’re willing to say so beforehand, then it means death of some sort is coming – It was the same with Master Yakumo confiding in Bon, or how Bon and Shin made their plans to the future, and Miyokichi bared her heart to Bon, just before they had to part ways. Same here. And man, that final scene, with how it just came to be. I’m really reminded of the movie version of A Single Man, with Colin Firth here. “What does it mean?” I asked myself here as well as there, and the real answer is, “The author wants you to think of a story, a theatre story.”
Speaking of which, let’s look at the final scene or two a couple more times, as it has a lot to discuss. First and foremost, it reminds me and addresses the scene in episode 9, where Miyokichi tells Bon that the next time they meet, it’d be in hell. More than anything else, that scene felt like a performance. I spoke of it before, but the way the characters speak and interact with one another often follows the beats of a rakugo performance. Is this because it’s Bon who’s telling the story to Konatsu and Yotaro? I suspect it’s more because this is the mindset the mangaka is in.